Masaccio's famous religious painting, “The Holy Trinity,” is known for using linear perspective to create an image that goes beyond simple painting on canvas (or should I say wall?) creating the illusion of depth. This painting addresses many religious concepts by creating different levels and layers in the built space. The characters depicted consist of four groups of human figures, which include the Trinity (God the Father, Jesus and the Holy Spirit), the Virgin Mary and Saint John, a pair of donors and a skeleton on a tomb at the bottom of the image . There is an apparent point of separation, which is made clear by the fact that each group is on separate levels. Their difference in power is a fundamental characteristic in explaining the relationship that is represented between humanity and divinity in this painting. Due to Masaccio's use and manipulation of perspective and a vanishing point, a new line of finite and infinite is crossed because visual manifestations of a hierarchical division between eternal life above, death below are expressed and life in between. Masaccio's Holy Trinity was made around 1400 and shows a mastery of space and perspective and the use of both of these elements to convey a message. The message is that there is no clear separation between divinity and humanity. In this image, Christ is represented in the upper half in a vaulted chapel with the Holy Spirit in the form of a white dove resting above his halo and the Father, God, above. Other characters that appear in this image are the Virgin Mary and Saint John who are below and on either side of Jesus' feet, two patrons beneath them and a skeleton lying in a tomb at the bottom of the image. Once orthogonal... in the center of the sheet... station of the relationship between divinity and humanity, but also a mathematical masterpiece that can represent the harmonious and complete nature of God's divine existence. It is understood that the nature of man is ended due to mortality limitations while on the contrary; the nature of the Trinity is infinite and eternal. The relationship between the two is described through Christ's sacrifice to save man from his mortal sins, and the relationships are presented at different levels, which indicates that the roles of man and God are very different and have different meanings. Masaccio's use of perspective also serves as an explanation of the simultaneous sort of "divine mortality" of Christ and how this can only be explained and explained through faith in his sacrifice and how this will lead man to salvation and to overcome mortality..