Youth is malleable. After all, the environment a child lives in shapes the person he or she will become. Leah Price, who witnesses the most dynamic change in Barbara Kingsolver's novel The Poisonwood Bible, consistently challenges the established culture of the Congolese charismatic atmosphere by breaking down gender roles and taking on the mature responsibilities that her sisters often avoid. Leah is characterized by conflict and passion, always actively working to address her life's struggles with brevity despite her constant internalized religious and family debates. The Poisonwood Bible – with a narrative based on the description of various forms of redemption – relies heavily on Leah Price's shift to open-mindedness in her worldview, stating that to challenge the injustice of a rigidly unjust environment, one must actively work to challenge the limited expectations placed in front of them and understand the conflict from perspectives other than their own. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Leah Price is easily defined as a feminist. In his ever-maturing life perspective, he learns to never succumb to the patriarchal social structure established by his father or the community in which he lives. That challenge is countered by her fourteen-year-old self who arrives in the Congo, wrapped in the rigid Christian beliefs under which she was raised. Kingsolver's shining moment for Leah's rebellion against the Congolese social structure is when Leah helps the men of the village in hunting. In finding her prey, Leah “followed it with [her] eye ​​as Nelson had taught her to do, seeking the path of her hopes” (348). The dark and disturbing connotation given to the “trail of her hopes” refers to the death of an animal, amplifying the depiction of Leah's harsher individualism as she attempts to match the actions of men in the Congo. The vigor of Leah's tone accentuates the divergence from the absolutes in her life. Leah rejects her father's judgment and that of her local adversaries to defy the expectations placed on her. The actions of Price's other daughters serve to highlight the change in Leah's personality over the course of the novel. Rachel's moral compass is stagnant in her sense of greed and self-fulfillment while Adah is able to find her voice and assert herself. Leah, however, is defined by her ability to constantly see beyond her own perspective, which allows her to hunt confidently with the other men in Kilanga. “[Leah] felt confused, grateful and sick at heart” when “Nelson ridiculed Gbenye's goal by calling it nkento. A woman” after Gbenye ridiculed Leah’s social audacity (349). The negative connotation given to “woman” creates a confrontational tone to candidly illustrate the blatant misogyny of Congolese culture. The fact that Leah feels conflicted primarily implies her clear moral and ideological shift towards individualism, rather than dependence on her father or God. In addition to her gender, Leah's skin color exerts a strong social and political reaction on his life in Congo. White skin is a sign of privilege and disconnection from the struggles of Congolese culture. The juxtaposition between the alleged privilege of the Price family and the actuality of their struggles allows Kingsolver to comment on the political relationship between America and the Congo. Leah is unique in that her contribution to the Congo becomes increasingly political as her life spent with Anatole progresses. Kingsolver exploits the small detail of a meaningless banana when Leah states: “I live among men and women whothey have always understood that their entire existence is worth less than a banana to most white people. I see it in their eyes when they look at me” (437). The linguistic contrast between the words “existence” and “banana” is used as an extreme, yet honest, representation of the cultural subjugation of whites towards blacks, which clearly illustrates how marginal the value of a black person is considered in the country. The undercurrents of racial tension within the country often cast Leah as a disgrace for marrying Anatole because she is stereotyped as pompous and unfairly superior. Kingsolver's comments on race may reflect her struggles as a white minority living in majority black Congo as a child. The kind and understanding tone behind "I See It in Their Eyes" allows Leah to take an open-minded perspective, where she remains respectful and loving of her nation despite the constant anger and judgment being conveyed to her. Race is used as an aspect of political allegory within the Poisonwood Bible regarding the United States' imperialistic involvement in the Congo. The comfort Leah ultimately feels as she ages in the country is a microcosm for possible solutions to the Congolese racial structure; patience and hope are hallmarks of Leah's acceptance into the culture in addition to her flexible understanding of the points of view against her. The peaceful image of Leah in old age, who says, "I wake up in love and work my skin to darkness under the equatorial sun... and understand that time erases the whiteness altogether" implies an image of her life prosperous and of the admiration that Leah feels towards a homeland that favors her livelihood and family (526). Love and hard work evaporated the connotation of her skin tone and allowed her to feel a full sense of belonging to Africa. The effects of guilt weigh heavily on the shoulders of each of the Price family members. Leah's long-standing guilt lies in her inaction toward Ruth May, in not following her mother to America, and in struggling to find fulfillment in a country that often denied her. Regardless, Leah's redemption lies in her eventual acceptance into African society because her race is rejected, seen as simply an external factor, allowing Leah to work and give back to the environment that shaped her. One of the most obvious factors shaping Leah is the presence of religion throughout her life. The Poisonwood Bible is not only a political allegory but also generates elements of a religious allegory, linked by an overarching theme of sin and redemption. The most pervasive sin of the entire Price family is their unwillingness to face the realities of life. Their redemption, in its simplest form, is to overcome this reluctance. Leah's early stages in the Congo are characterized by her drive to adamantly defend her father's actions; Fourteen-year-old Leah is defined by absolutism. Kingsolver, however, hints at the degradation of that relationship in the final lines of the first book, when Leah exclaims, “My father, of course, was carrying the Word of God – which fortunately weighs nothing” (19). The caustic tone of Leah's final statement sets the stage for an eventual rude family discourse, alluding to the different religious perspectives that will ultimately distance Leah from a life lived in absolutes. The verbal contrast between "God" and "nothing" gives Leah her unique voice that is not dictated by her father, Nathan. In the "sink or swim" atmosphere of the Congo, Leah constantly finds herself at the will of dangerous circumstances and in scenarios that her father doesn't agree with. The repetition of.