Although the characters in The Tragedy of Julius Caesar cannot be easily classified due to their emotional depth and mental complexity, some conclusions can be drawn about them based to the attributes they possess. Shakespeare uses the complexity of the characters' personalities to develop the plot. Some characters' motivations are often quite obvious, while others intentionally or unconsciously mask their intent to maintain an appearance of loyalty or deceive their opponent. Few characters fit one of the four character descriptions perfectly; protagonist, antagonist, antihero, or heroic antihero, but rather they are a set of different aspects of each. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Mark Antony is probably the easiest character to categorize. He's clearly an antagonist. Before the assassination Antonio makes only four brief appearances and utters as many lines. Three times, twice at the games and once at Caesar's house, Antony affirms his loyalty to Caesar as a sovereign and as a friend. After the assassination; However, Antony is quick to fill the void left by Caesar's absence and becomes a major player in the power struggle. Beginning with Antony's use of his servant to flatter Brutus prior to his arrival at the Capitol, Antony attempts to appeal to Brutus' perceived senses of honor and nobility. He successfully convinces Brutus that he would be able to agree with the conspirators if their cause were explained to him. He shakes hands with everyone to demonstrate the integrity of his statement. He gains the right to speak at Caesar's funeral by appealing to Brutus's sense of righteousness. At the funeral, Antonio puts his plan into action by turning the crowd of fickle plebeians against the conspirators, forcing them to flee Rome. Antony gains Octavius' support and together they pursue Brutus and Cassius to Philippi where Antony skillfully directs his army against them. The defeat caused the suicide of Brutus and Cassius. Caesar plays the role of a heroic anti-hero. Although he had achieved military triumphs before the show began, he was not satisfied with them. He desired absolute power, but his penchant for being easily flattered and his disdain for omens led to his death. From Cesare's first look at the Lupercal in Act I, Scene II, it is quite clear that he is a man to be worshiped and would not have it any other way. When he tells Antony to touch Calpurnia, Antony responds, "When Caesar says, 'Do this,' it is executed." Caesar foolishly dismisses the soothsayer who warns him to "beware the Ides of March" as a "dreamer." Caesar considers himself one with the gods and believes himself to be invincible against mere humans. On the night before the Ides of March, Caesar receives many signs of his impending doom, but he pays no attention to any of them. Among other things, Calpurnia told Caesar that she imagined a lioness giving birth in the streets, graves unearthing their dead, and "fierce fiery warriors" "fighting on the clouds." Caesar also ignored the meteor shower and scorned the advice of the augurs who failed to find a heart inside a slaughtered beast. When Calpurnia insisted that it would be dangerous to venture to the Capitol, Caesar said that he and the danger were "two lions born in one day, / And I the older and more terrible." It allowed Decius Brutus to appeal to his Achilles heel, selfishness and honor. Decius told Caesar that the Senate would crown him and that they would perceive his absence as cowardice. On the."