Being overwhelmed by feelings of anger, sadness, happiness, joy, worry, disgust, whatever it may be, with dry fingers from flipping through the pages like if they had a mind of their own and eyes frantically searching for sentences and words - for whatever comes next Sometimes you're so transfixed by something - it needs to be read again and again Then at the end, your nose is dug so deep in. a book that all you can feel are its pages. That's when you know you're not in this world anymore. Say no to plagiarism Get a custom essay on "Why Violent Video Games Shouldn't Be Banned"? original J A Leaf of Tolkien's Niggle, at its simplest, is a charming tale about an artist living in a society that holds art with little or no regard, paired with his essay "On Fairy Stories," in which he attempts to define a fairy tale two works help to better understand Tolkien's concept of "Subcreation". They also present his ideas about himself, art, and the role of the artist, as well as the importance of relationships with community and God. With both works Tolkien argues that humanity has an important relationship with its creator. This relationship includes God the creator, the creation of the primary world, and humanity's emulation of God, the artists, the sub-creator, in lesser acts of creation in his image: the new secondary worlds that are real and true as much as the primary. In Niggle's world, very few appreciated art. When Parish "looked at Niggle's photos (which was rarely) he saw only green and gray spots and black lines, which seemed nonsensical to him." Tompkins argues that Niggle was an incompetent and useless artist because he "could not have designed a meaningful poster to save his life". He says "art for art's sake" is "outdated." This also leads to Tolkien's thesis on the usefulness and purpose of art. Niggle's art is precious because it is beautiful, just as Faerie is "indescribable, though not imperceptible." It is valuable because it captivates the mind in a powerful, life-altering way. Tolkien says in his essay: But it is one of the lessons of fairy tales (if we may speak of the lessons of things they do not teach) that upon callous, dull, and selfish youth there is danger, pain, and the shadow of death. it can confer dignity and sometimes even wisdom. Many may remember a time when they were so fascinated by the art of anything that they came away changed; Atkins, Parish and Niggle himself are examples. Atkins is so intrigued by Niggle's painting that he goes so far as to have a remainder of it displayed in a museum. And while in the painting, Parish "often wandered looking at the trees, and especially the Tree." He has learned to appreciate art and beauty, which is undoubtedly different from him at the beginning of the story. Niggle has learned to accept practical things. Niggle's story in his journey from home to the purgatorial phase in the workhouse, then into his completed painting, not only reflects Tolkien's concerns with himself as an artist, but dwells on the nature of the artist and his role in the humanity as an artist. sub-creator.Niggle creates a secondary world, his own version of Faerie that has been noticed by few but has enchanted many. He so enchanted them that he helped them prepare for the journey beyond the mountains. Faerie not only contains elves, fairies, trolls, birds, waterstones, but also contains "mortal men, when [they are] enchanted". Great art transports those enchanted by it into the fairy world, or into a secondary world, just as Niggle's Parish, Tolkien's works and ever-expanding mythology do. Niggle's Leaf also explores the role and relationship the artist has with God. Niggle's experience in his purgatory, even though he was never.