The film combines the medium of art and technology which is then used to share images and sounds with a worldwide audience. With these advantages, an urban space in Los Angeles, California can be shown to the world allowing viewers to indirectly experience a space that may be hundreds of miles away, making it one of the small ways to gain insight into the area and its occupants. Films can be seen as responsible for producing countless ideas and opinions that come from the audiences the film has reached. If the content of the film has been distorted or manipulated so as to evoke a certain opinion about what was shown, it takes away the viewer's freedom and power to express their own opinions on the subject, especially if the film is the only broad display of information. .Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The Oscar-nominated film Boyz N the Hood is a helpful example that shows the duality of representation the film gave for the underrepresented black population in South Los Angeles. Showing the light in the South Central area, where the majority of the population is black, was a huge step forward in giving a voice to the minority community, but the way it was shown to the world could also harm the community. Problematic representation has created disadvantages such as the consolidation and reinforcement of negative racial stereotypes and defined the wrong way to treat the population. Comparing the poor black population and the rich black population of the South Central, poor black communities are represented more in films, which creates the idea that being black means being poor in most cases. The title of the film makes it easy to guess what it will consist of such that, even without watching Boyz N the Hood, the audience might already assume that it is about men living in a ghetto neighborhood where poor minorities, including blacks and Hispanics, reside. The plot consists of three black teenagers growing up surrounded by drugs, gangs and violence. The viewer begins by getting to know the three as innocent children in the Crenshaw district and again as young adults dealing with their dangerous environment. His friend Ricky is killed by a gang member even though he was the footballer of the group who wanted to do something with his life. Doughboy, who was the one who grew up in gang violence and was imprisoned, vows to take revenge and kills the killer while Tre backs down when his father convinces him not to join the endless cycle of violence. This film manages to show the different perspectives of young black men who grow up around violence and resort to selling drugs to end their impoverishment. While there is some truth to this film and it draws attention to the black experience in the South Central, it still manages to be disadvantageous to the people of the region because it creates assumptions about the city. There is little to no representation of blacks in the film, and when there is, the film is usually about the ghetto neighborhoods where the civilians are poor and struggling. This creates the idea that black people are dangerous and live in dangerous cities where there is a plethora of crime and death. It's difficult to list films about blacks in black neighborhoods that have been successful because the only representation they get is from "neighborhood films" where the neighborhood experience is projected. The few widely known black films highlight the struggles of a black community, but that seems to be the only representation the area gets. The existing portrayal may also have been exaggerated and misinterpretedtruthful. Watching or even hearing about films about black hoods, including Boyz N the Hood, audiences are led to believe that black neighborhoods are dangerous. These stereotypes influence how people view blacks and dictate how blacks should be treated. When black people are deemed dangerous, society and the law react differently to black bodies, basing their judgments on what they see in films. Black people are seen through the filter of stereotypes that cinema has created about them, which is dehumanizing because it starts to become impossible to learn about the minority without being blinded by the preset assumptions one has about them. Cinematic representation of minorities is important but it becomes dangerous when there is a limited amount of representation and of those select few films, there is content that will not only support negative opinions about the black population but also create racist stereotypes. Cinema becomes the tool of discrimination when it influences minds that black communities are bad and dangerous. The hardened assumptions make it harder for Black people to get justice, something they and other minorities have been deprived of. Existing problems that have affected the Black community involve mass incarceration and discrimination that leads to the destruction of Black communities. Problematic representation makes it more difficult to combat the current inequalities being faced because the black population is now viewed in a certain way where they are deemed “other” and “dangerous.” Mass incarceration attacks the black male by imprisoning him and therefore taking him off the streets, which helps the image of Los Angeles so that with fewer criminals there is more incentive to move and feel safe. The crimes they are arrested for are small, but it is easy to treat a black man unfairly while living in a society that has consistently criminalized the black body and re-establishes that mentality with films that portray blacks as dangerous. Freedom Now!​ by Christina Heatherton reflects on the mass incarceration of the African American community in Los Angeles who abused the rights of the oppressed community to benefit from the imprisonment of that population. The broken windows theory is a conceptual strategy for why police arrest and charge minority groups in Los Angeles for petty crimes and are motivated to work harder on these arrests to meet a quota. Problematic representation that further dehumanizes and criminalizes Black bodies makes it more difficult for the minority to escape the discriminatory practice of mass incarceration. By targeting an easily found suspect who has caused petty crimes in a population that has increasingly begun to criminalize the poor, the city has gained a new group of people to exploit to imprison the population who are treated as a stain on the community. The book's introduction highlights how these small arrests were celebrated in the belief that focusing on small crimes would decrease the likelihood of more serious crimes that would appear to increase if there was no focus on the racialized poor. In the modern city, the homeless population makes Los Angeles look dirty and like a ghetto, which is bad publicity, so there is still the goal of targeting the homeless to profit from the city's cleaner image. more public and active in the period in which it was accepted. “After their conviction, local judges punitively sentenced them to forced labor. Under the supervision of overseers and armed guards, inmate workers in Los Angeles cut off major thoroughfares, macadamized streets, raised sidewalks, collected, 2011.