The historically similar artworks of artists Gustave Caillebotte and Georges Seurat are both distinctly similar and dissimilar in numerous aspects, as well as their themes. When you start looking, the two images pictured above share many similar visual aspects such as time, movement, and lines, but vary when it comes to light, color, and space. Each of the artistically unique artists incorporated several contrasting design principles such as balance, rhythm, and unity, however, when looking at their similarities, both paintings share variety and subordination. While this piece can illustrate many similarities and differences, when it comes to looking at the historical period of each piece, both are indistinguishable. A Sunday afternoon on the island of La Grande Jatte and Paris Street; Rainy Day occurs during the late 19th century, also known as the Post-Impressionism and Impressionism period. These two extremely similar and dissimilar works of art have similar principles and visual elements such as color, while also contrasting elements such as balance, Suerats and Caillebotts' pieces also have the same underlying theme which appears to be politics and social order, while its main contrast seems to be style. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The topic appearing in both pieces appears to be visually the same, both create the traditional, classic day in the life of a person living in the 1800s, illustrating a casual walk during the day or a beautiful sunny day at park. The shape within both historically similar paintings has many easily recognizable similarities and differences, for example both paintings feature a variety of sizes; as enlarged, small, medium and different shapes; as irregular or geometric. However, each piece incorporates different color palettes and heightened hues. The form in both paintings includes similar materials such as oil, which creates an effect similar to post-impressionism. The subject and form in both of these paintings allude to literal and physical aspects, which allow viewers to establish and understand the physicality and literalness of the painting, before the implied meaning and theme. By comparing both of these paintings it is easy and It is easy to identify that Gustave Caillebotte and Georges Seurat both used oil on canvas as their primary technique. The widely used technique can create a thinner paint that can dry slower or faster and is considered more advantageous than other painting techniques due to its many applicable aspects. Together, both paintings were created during the same period, the 1800s, which was referred to as the Victorian era when referencing the numerous historical eras throughout history. Referring to the content or connotation of each of these paintings, one might notice that they differ widely. The underlying content or meaning conveyed in a Paris street; Rainy Day can symbolize the difficulties and obstacles that some Parisians faced during the Victorian era, while the content of A Sunday on La Grande Jatte can signify the calm before the storm or the contentment and bliss before another obstacle appeared . When you identify each piece with uniquely similar visual elements, you can see the similarity in timing, movement, and implementation of lines. In comparison, the use of time and movement in both paintings shows and illustrates the specific time period and common aspects of fashion during the 1800s. The institution of timewithin each piece allows the audience to establish and understand the typical usual day experienced by people in the nineteenth century. The movement in both pieces adds distinct clues to an ordinary day in the 1800s, such as the evening stroll down Paris Street; Rainy day or casual day in the park which can be seen in A Sunday in La Grande Jatte. Likewise, both artists also included the artistic use of lines in each painting, which can be identified or seen on both umbrellas of each painting. The implementation of the lines within both paintings establishes the implied height of each of the umbrellas, while the thinness of the lines also illustrates the inconsistent strength of the weak line. The use of lines, movement, and time within both pieces allows us to understand small increments of detail that further explain the artistically similar paintings. While these two distinctly similar pieces have many similarities when it comes to visual elements, they also have many contrasting elements. When comparing each of these pieces you may notice the differentiation in terms of light, color and space. When comparing Paris Street; Rainy Day and A Sunday on La Grande Jatte clearly emphasize the differences in the use of color and light, as you can see that Seurat's painting incorporates a larger scale of vibrant cool-toned colours, with small increments of warm tones, so such as complementary colors like green and red, or blue and orange. The 1886 painting includes the painting technique of pointillism, as it adds small dots that blend into the distance, as well as a more intensified narrow palette. While Caillebotte's paintings incorporate several neutral colors such as black, white and brown with small fragments of complementary matte hues. Caillebotte's painting also includes tints of yellow or dull beige throughout the buildings, as well as a tint of brown throughout the brick street. The differential use of light in both pieces is easily distinguishable, as you can see that Caillebotte uses chiaroscuro to model the different values ​​on the faces and umbrellas of the Parisians, unlike Seurat who uses a wider scale of values ​​to cast shadows on the grass and faces of the people sitting on the lawn. When referring to the use of space in both paintings, Seurat's implementation of space implies a greater surface area and distance throughout the work, while Caillebotte's placement of buildings and citizens implies a larger scale of space small, as larger-scale buildings imply that streets are smaller-scale. Looking at each painting you can see several contrasting design principles such as balance, unity and rhythm. Examining both paintings one can notice the difference in balance between each piece, where Caillebotte's painting shows asymmetrical balances as the two larger enlarged citizens appear on the right side, while on the left there are numerous smaller scaled citizens, who consequently they balance each other. out. However, when looking at Seurat's painting, the darker side establishes the balance rather than the larger scale objects. Another contrasting principle would also be the rhythm in the paintings that can be seen on a street in Paris; Rainy Day where the brick road alludes to rhythm, illustrating the repetition of the brick pattern with contrasting elements such as value. While Seurat's surprisingly detailed pictorial tool of optical fusion creates a sense of rhythm. Furthermore, another very distinguishable contrasting design principle would be unity, which can be identified and observed with the unification of the different sizes of buildings and citizens within the painting of.