From the beginning, architectures have been a medium for housing function or human activity. Therefore, the design was primarily guided by principles such as form following function. Lately architecture has been driven by the need to prioritize the view with architect Frank Gehry (2014) stating that form follows what it will. Architects have begun to ignore the physical, emotional and psychological connections that users have with a space. Critics argue that contemporary architecture has lost respect for humanity or anything else, driven by aesthetics and engaging solely with the eye. The multi-sensory aspect of the design has been lost, becoming minimalist with white walls and smooth finishes. This has reduced the level of user experience since it is through the body that one perceives, engages and enjoys architectural spaces. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay An acoustic designer from BMW (Emar Vegt, 2013), states how the sound of a door closing is so important in the design of their cars as it affects sales, being one of the first product experiences a potential customer experiment in a showroom. A potential customer can open the door and sit inside the car. He then starts the car and is once again struck by the sound the engine makes. Sound is therefore one of the most important design aspects in the automotive sector. The concept also applies to other products. In architecture and other design disciplines, we rely heavily on the sense of sight to realize and appreciate a project. Designers neglect the other senses and strive to satisfy only the visual aspect. However, the design must satisfy the user of the space not only from an aesthetic point of view, but also provide a space in which he can connect with the building with his whole being. Dischinger, 2006, observed that rather than completely excluding (or filtering out) sensory experiences, architects appear to develop a systematic bias towards vision. What about the other four senses: touch, hearing, smell and why not taste? Aren't there design methods for these other senses to produce a complete design that satisfies all of the users' senses? Architect Alvar Aalto commented on the architecture arguing that a piece of furniture commonly used by an inhabitant should not cause discomfort to the occupant in space weather conditions due to glare, thermal conductivity, sound absorption, reflection and sensation tactile. Its architecture engages all the senses inviting the user to touch the materials creating intimacy and warmth through construction techniques, materials and features. It is important to understand that architecture is more than materials and form but deals with the human aspect, looking at his feelings, the environment, the space and the interactions between them. Buildings and spaces do not have to be dead spaces or shells in which to live, work and play, but have the potential to be rich sources of stimuli that influence the bodies and minds of users. The hope is that by providing multi-sensory experiences in architecture, the human experience within these spaces can be significantly improved. Architects are expected to design spaces where users' senses will be engaged shaping the perception of space and emotional connection with buildings for each individual user, influencing all users in a unique way. Critics of sensory design argue that multisensory design overloads perception resulting in a space that no one wants to use. Charles Landry,.