Topic > The Problem of Ambition: Understanding “The Garden” Through Allusion and Close Readings

HC Beeching said of “The Garden” that “Marvell is the conqueror of grass and green.” This is recognition of Marvell's desire to explore, effectively, the relationship between man and creation through the analogy of a Garden. However, it is important to note that there are many other aspects of Marvell's writing that make "The Garden" a multi-layered poem that discusses a multitude of different themes. We are also asked questions about the benefits of blissful isolation through shadow metaphors, as well as the futility of ambition through comparisons to military victory. Therefore, while “The Garden” does indeed explore the relationship between man and creation, it is also an effective argument for how we should view isolation and ambition. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The main way Marvell explores the relationship between man and creation is through an analogy of a garden, namely the Garden of Eden and what it can provide for humanity. EK Chamber states: "how better should the exhilaration of the meadow, the wood and the garden be expressed" than in the lines "Stumbling on the melons as I pass, / Trapped by the flowers, I fall on the grass". This is the first example of a multifaceted approach to human interaction with nature. First, the stumbling upon melons suggests the abundance that God has implanted in nature. Furthermore, "melon", being a large and juicy fruit, implies that nature is what gives us the ability to nourish ourselves and therefore survive. Therefore, since we have an abundant source of food, Marvell highlights the importance of nature to humans as it is ultimately what sustains us in life. Next, “trapped with flowers,” highlights the speaker's happiness in being among wildlife and therefore the enjoyment that nature offers to man. The speaker appears to be perfectly happy to be trapped among the flowers as he wanders around the garden. However, this has disturbing undertones as it harks back to Genesis, where Eve, busy caring for the flowers of Eden, is trapped by Satan. This suggests that although nature greatly enriches our lives, we must be careful not to overindulge, otherwise we may be "trapped" by the Devil. Finally, 'I fall on the grass' highlights the comfort that nature offers to man. Although the speaker has evidently fallen on the flowers, he seems almost relieved to have hit the grass. From the image of the grass we derive an image of sweet and soft bliss, as in a meadow and therefore the "fall" which may have been so harmful on a battlefield is transformed into relief. This symbolizes the relief that nature offers man from the “rude” “society”. However, there are also hints of the fall of man by Adam. Just like the previous line, the use of the word “fall” suggests the possibility of nature being removed if it is overindulged, much like in the Garden of Eden. This idea takes on particular relevance today as man seems to overindulge our environment to the point of destroying it. Furthermore, at the time this poem was written, at the beginning of the industrial revolution, this may well have been the case. Additionally, Marvell discusses the use of nature as a protective function within humanity. To do this, he places a mythological allegory within the poem taken from Ovid's "Metamorphoses 1". "Apollo hunted Daphne like this" and "Pan did after Sirinx" refer to the stories in which two men (Apollo and Pan) fall madly in love with female nymphs (Dafne and Sirinx), butwomen want nothing to do with them or anything. another man. The men chase the women throughout the forest and are about to capture them when the river gods decide to intervene and save the nymphs by transforming the women into plants. Therefore, the "race" of the gods ends with the creation of trees. The meaning of this story is precisely that it suggests the overall security that nature offers to man. Furthermore, the extensive references to “race” in stanza 4 suggest that it is basic human nature to act against our environment in pursuit of “deadly beauty.” Ardhendu De suggests that "In this garden both man and nature are infallible." The suggestion is that our goal is the 'deadly hunt of beauty' so that the nature we live in is in itself immortal and therefore better than any human beauty. The overall meaning of the allegory in stanza 4 is to show that man needs nature to be protected from corrupt forces, such as the Greek gods depicted in the story. However, it is clear that man and nature are not the only concerns discussed in "The Garden" and that the idea of ​​isolation and solitude is central to the poem. Garrett Hazelwood states that "Marvell uses the image of the garden and the shade it provides to symbolize a place of quiet and innocence, which he illustrates as an ideal environment for stimulating thought, progress and reason." To testify to this, Marvell speaks of the quiet he found "here", that is, in the garden. He compares his life now to what it was like when he was trying to achieve success in the world and, furthermore, that society "was anything but unkind." By "rude" Marvell means uncivilized and therefore indicates that the garden is his only escape from the useless baggage of the world. Furthermore, Marvell suggests that he has "long been mistaken" in "seeking the 'busy companies of men.'" By this he suggests that to find the "beautiful quiet" he is seeking, he must go to the garden because it provides "delightful solitude." The word “delicious” has a particular meaning, as it suggests a sensual enjoyment of solitude that you may not find through conventional means in society. Finally, “Only among plants will it grow” suggests that to gain true knowledge one must free oneself from "society" and adopt solitude in the midst of nature, as your soul can only "grow" when it is free from impurities This sense of purity can only be found in the isolation of the garden, and therefore this theme of solitude becomes important for Marvell's overall view towards the metaphysical development of the soul The last concern of the poem that has meaning is the question of ambition, and is relevant to living a life of "eudaemonia" - Aristotle's idea of ​​blissful happiness. The Garden opens on the theme of ambition, describing human efforts that seek to gain recognition. Symbolically, this recognition is in the form of laurels, made from the "palm, oak or laurel". This would have been how victors were crowned in classical times in the fields of military, civic, and poetic achievement respectively. However, to make these crowns, it is necessary to cut the branches and thus the natural life is shortened. These laurels then wither, cut off from their natural source of life. If left in their natural state, they would offer people peace and tranquility, symbolized through the image of the shadow. Lawrence Hyman supports this by stating that "The Garden" "depicts the rewards gained from efforts in pursuit of honor or material gain as casting a narrow shadow that fails to provide the shadow he uses as a central metaphor in the poem." these images suggest the pursuit of glory through the ambition to conquer