Topic > The two main inspirations for my artwork: David Padworny and Joshua Miels

The two main inspirations for my artwork are David Padworny and Joshua Miels. They inspired me in their style and their application of painting techniques. These artists, together with my training, allowed me to express my interpretation of the theme of migration. I did this through two portraits of my brother at different ages. These artists also allowed me to develop my understanding of emotions and internalize them to incorporate my new understanding through my works. The artist who first introduced me to color was David Padworny. His work has an abstract quality and, like Josh Miels, he seeks to convey intense emotions in his works. He usually paints from a rough sketch, blurry photographs or memories to maintain an energetic and creative atmosphere in his paintings. He was really tired of emphasizing emotions in his works, exaggerating facial expression, and sometimes even painted tears on his subjects to further express their feelings. He mainly paints portraits and his works are extremely expressive in both color choice and application. This expressive application also helps to emphasize emotion as it can convey how the artist felt while painting the portrait and emphasize the emotion felt by the subject. Sometimes the expressive quality of his works was seen as so intense that it led to the point where one struggled to identify the subject matter. This also highlights how he bordered on abstraction in the way he painted portraits. Before I came across Padworny, my idea of ​​using colors to create an almost naturalistic painting was non-existent. Taking inspiration from Padworny allowed me to explore a world of color I hadn't dabbled in yet. By copying two of his works I was able to understand how to use color to create tonal value. This helped me later when I started painting my first portrait. Padworny paints with thick layers of impasto, which is what first introduced me to the texture. I was also influenced by his idea of ​​capturing emotions through exaggerated facial expressions. You can then see in Portrait Two of my brother, that I painted an exaggerated smile on his face to emphasize the joy he felt. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay After absorbing everything Padworny had to offer, I began to formulate my idea using theme migration. I therefore came to the conclusion that Padworny's work was too expressive and abstract for what I wanted to do, but his work is still a key concept in formulating the skill I needed to produce my idea. Then I came across Joshua Miels, who is a contemporary artist. He mainly paints portraits. This intrigued me because my whole idea was based on two portraits of my brother. His main goal was to capture the emotions of the subject just like Padworny. He wants the viewer to see the emotion that the subject is trying to hide. When photographing my brother, his emotion at the time played a large role in how the artwork is portrayed as a whole. There is a huge smile on his face. This encapsulates his personality. Finding Josh Miels as a source of inspiration ties in perfectly with the fact that he paints a range of vibrant colors, which further emphasizes my brother's personality. Miels, Padwomy and I use a palette knife to apply paint to our canvas (my canvas was paper). This helps bring the aspect of texture into both their and my work. However,Miles doesn't just apply paint to the canvas and declare it complete. His work requires an enormous amount of time because, to create his texture, he paints by applying multiple layers upon layers. A difference in the look of our final works would be due to the fact that Miels and Padworny paint with oil paints while I use acrylic paints mixed with acrylic paste. Their works have a shiny finish while mine have a matte finish. Miles' main purpose in creating his works was to allow people to understand and connect with emotions on a spiritual level. He has a strong belief in the freedom to express one's emotions. In particular, he wants men to be able to do this. According to him, men often think they have to live up to the stereotypical view of having to hide how they feel. As a result, most of its people are men. By having most of his portraits of men, he tries to create a greater impact for the viewer. This had a great impact on me as although our themes are different, it allowed me to find deeper meaning in a male's emotion. This also influenced the photograph I chose to paint of my brother when he was younger. My decision to use the photograph of my brother smiling as a child was essentially to express how, even as time passes and we grow physically, our feelings always have a way of persisting. The fact that both portraits have a smile is similar to how Miels had male portraits with sad expressions as it creates awareness that men have the ability to feel. In this way, I played on Miles' concept of confronting the viewer with emotions as it makes them think about why this subject feels the way they do and what has happened in the time that passes between these two portraits. Joshua Miels has influenced my work in many ways, but unfortunately one can conclude that our themes are not comparable. Miels was all about emotions. He also had a long family history of anxiety, addiction and depression. This added purpose for him to create his works. My theme for this work, on the other hand, has emotion as a subcategory while my dominant theme is, as stated previously, migration. I interpreted the word migration in the sense of growth. The entire work consists of two paintings, one of my brother at the age of five and the other of my brother at the age of twenty. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay They are placed side by side to clearly emphasize the power of growth and the natural way the body develops. He migrated from child to adult. Because the expression of emotions in the two portraits is so similar, it draws attention to the viewer as he is now faced with the question of whether the migration of the physical body from child to adult actually changes his emotional growth. It's clear that although David Padworny stimulated my interest in painting with color and texture, it was Josh Miels who had the greatest impact on my work. Miels' painting style is the style I chose to adapt and make it my own. It took me a while to figure out how to work with colors like that and so I started painting using naturalistic colors and slowly started adding more variety of colors until I eventually switched to just using bright, interesting colors. There was a more uniform color and refined quality to Miels' work as he painted in segments where Padworny's work seemed a little more arbitrary in how he selected the.