The battle between the need for structure and the creative freedom of chaos is a battle that is at the heart of much great literature. Not are never discussed as harmonious or complementary; they must be in conflict and locked in eternal struggle Keats, for example, wrote in contrasting Apollonian and Dionysian styles which are indeed representative of chaotic ecstasy and powerful reason also adds his thoughts on this. debate that runs through the core of human existence with his novel “A Clockwork Orange.” The accepted critical view of the novel is that it is an argument for free will, which is true, however, I believe Burgess explores it. does much more as he delves into whether free will leads to chaos due to humans' innate attraction to it or whether the positive aspects of the structure appeal to our rational selves. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Milton, on the other hand, steps out of the already established debate and investigates, through "Paradise Lost", whether it is possible to look at chaos and structure objectively and also presents them as having a kind of duality, as if one were a doppelganger of the other to truly attack the reader's assumptions. What is certainly true of both literary texts is that they are products of their environments as well as being critiques of possible future environments. In the socio-political climate in which both were formed and formed there was extreme turmoil, as well as staunch respect for the organization and strict limitations. “Paradise Lost” was first published in 1667, just seven years after the restoration of the monarchy in England after 18 years of civil war during which England had been in chaos. Milton is, on the surface, evaluating which era was best for the country, but on a deeper level he explores what happens when chaos and structure actually interact. Burgess's novel was also born out of a period of insecurity and complex change; the Berlin Wall had just been erected and the USSR had just exploded the largest hydrogen bomb ever seen and at home Britain found itself in the uncertain world of the 1960s dominated by adolescent individualism. Burgess himself clearly struggled internally with what free will meant for safety and, ultimately, happiness. This is why his novel goes from one extreme to the other; his reader can see how attractive both chaos and structure are and then evaluate each on their own. Burgess's novel is not so much a call for chaos or a call for structure, but rather a call for reflection on the subject. On the surface of "Paradise Lost" the reader is presented with a love of structure, Milton's form and structure are very typical. The literature is in the form of a classical epic poem, written in iambic pentameter, which closely resembles common language. However, Milton often breaks this by using the caesura to give Satan a more human voice. Milton deliberately chose these established and organized techniques to contrast other poetic devices within the poem such as the heavy use of punctuation and the lack of a patterned rhyme scheme to develop his first point about chaos and structure; that are innately connected and coexist. It's widely believed that "Paradise Lost" is beautiful; it has wonderful archaic language and incredible imagery while moving effortlessly around biblical references, making it an instantly recognizable work of art. Milton did his best to make his epic poem beautiful to demonstrate that the structure and thechaos work in harmony to create something aesthetically pleasing. It is wrong, in Milton's eyes, for his readers to assume that chaos and structure are opposites and therefore a person can only side with one point of view and believe that it is attractive. On the first page Milton has already destroyed any stigma his readers had on the page which is a topic he will explore further. The approach Burgess takes with form and structure is strikingly similar to Milton's. Burgess uses a time-tested method to present his novel. It has clearly numbered chapters, it has a linear chronology and a first-person narrator which is all very usual, and some might say conventional, but just like Milton with caesura and rhyme Burgess puts the structured novel in difficulty by making the language of the novel so drastically strange and alien to its English audience. “Nadsat” is the type of argot used by Alex the narrator and contains some words that have roots in common English like “eggiwegg” but also some puzzling words like “Kleb” and “lovet” that have roots in Slavic languages. Burgess's new language serves many purposes but initially it is to place the reader in a structure he recognizes but to confuse him with the chaotic nadsat. Burgess's reason for this peculiar technique is different from Milton's; it should be highlighted that together structure and chaos make one uncomfortable, it would be much more usual to have an equally strange form and structure but Burgess is showing how initially the two things cannot be accepted at the same time. Burgess also emphasizes this point by making his novel parallel an opera aria that follows an A/B/A structure. Alex's story begins at home, then in prison, then back home. Alex rapes and beats people, but he also loves beautiful, textured music, Burgess' choice of aria texture complements him; within the book there is rape and violence but it is created as a work, something that a reader associates with a calm and peaceful environment. Once again structure and chaos are uncomfortably placed side by side; Burgess did not believe they could be the same thing, unlike Milton. For Burgess only chaos can be attractive, or only structure can be attractive. Initially, the statement is not true for "A Clockwork Orange" because the reader craves a language they can understand, they need a structure to find meaning. However, the statement is actually true of Milton's structure in "Paradise Lost". Milton, by demolishing the reader's assumptions, through his dual use of chaos and structure, has metaphorically placed them in a desolate and chaotic world, one of their core beliefs has been lost, and they are effectively in hell with Satan as they are deprived of all power. everything they know. This is why Milton begins "Paradise Lost" with this section after the fall. This realm of uncertainty reflects the uncertainty created when Charles returns from France. Ambiguity is attractive to Milton because it is the beginning of a new life, but perhaps not to the reader. Both writers use difficult main characters to develop meaning. Satan in human literature and art is depicted as simplistic and one-dimensional, but in "Paradise Lost" Milton describes the idea of ​​Satan as incredibly different; it added more depth to the character. Likewise Burgess didn't simply draw a thug; with Alex he created a complex human being who struggles to grasp some aspects of life. Alex loves Beethoven and Mozart; he even describes him as a preacher overcome by a sudden burst of religious faith. Burgess uses language like 'O! My brothers." to accentuate the strength that Alex feels incomparisons of classical music, although Alex also associates it with the acts of violence he commits. This is demonstrated by the line where he could hear the music in his head as he describes "the blood came." Burgess, using Alex's technique, shows how both structure and chaos can be attractive but together they only create acts of horror; there can be no middle ground. Burgess actually stated that he believed in “duality as the ultimate reality,” meaning that reality as we know it is made up of conflicts, such as structure versus chaos. However, Alex is proof that chaos slowly becomes more attractive and is stronger than structure. Alex's desire for violence is so strong that it defeats the behavioral conditioning he receives from the Department of the Interior. Society in "A Clockwork Orange" also reflects this desire for chaos, the police is corrupt, as demonstrated by Dim who becomes a police officer, as well as the "old babushkas" in the pub who are willing to reject society for alcohol, which is a symbol of distorted reality and chaos. Satan's language appears to be very intelligent, insightful, and persuasive. We readers almost begin to adore him; his rousing speeches to his people and his apparent sacrifice in embarking alone on the "perilous journey" to Eden are all virtuous. However, as Milton states: Satan's language is "ambiguous and double-entendre deluded", his language is chaotic and irregular, it is never coherent and sincere unlike that of Christ later in the epic. However, Satan seems obsessed with both order and chaos. Satan creates order out of chaos by creating a structured parliament, this desire for order also adds to the ambiguity of Satan as a character, this is done by Milton so that Satan becomes a piece of chaos, meaning he is used by Milton to illuminate the reader about his own life. Literary critic Stanley Fish formulated a theory about "Paradise Lost" called "The Fish Trap." "The Fish Trap" states that Milton initially makes Satan seem "good", which is where the common critical phrase "Satan has all the best lines" comes from, and also why Shelley believed Satan was the hero of the story. Milton then shows the "infected readers" that Satan is actually evil and a deceiver through Sin and Death's initial description of him which includes phrases such as "Thou art traitor" and "fugitive". The technique by which to instill chaos in the reader's mind is to show that they have fallen from the moral heights of Adam and Eve. Despite my agreement with the theory, Fish seems too obsessed with Milton's Christianity, when in reality he was a rather unorthodox religious believer, which devalues ​​the theory slightly. The archaic language, often Latin, also wants to underline how readers, who find the language harsh, have fallen from Eden from which the title derives, society has lost 'Paradise'. Critic Christopher Ricks agrees, stating that "(the words) take us back to a time when there were no infected words because there were no infected actions." Milton used the chaos of Satan's character to protect the reader from the chaos of losing heaven and falling from God, in this sense the statement is true when analyzing 'Paradise Lost' because humans have fallen away from the structure of God and they ended up in the chaos of hell. Milton's final exploration of the allure of chaos is somewhat difficult; chaos is literally personified in "Paradise Lost" and "reigns" just like God and Satan. With this neutral character Milton shows that chaos is simply a tool used by individuals and that it is primarily a tool with which Satan lures humans with him to hell. The entire poem, therefore, bears witness to how chaos can,.