The audio engineer as an industry professional As soon as the rhythms of our favorite songs or music penetrate our ears, our feet tap while our fingers shuffle. Music is what fascinates everyone, but does anyone care who is behind this fascination and happiness? Is he the musician, singer or producer of the album? Yes, everyone has their part to play, but it is the sound engineers who also help 21st century singers or musicians realize their dreams. These sound engineers are people who have brought dramatic changes to the face of music. Sound engineers have a remarkable combination of character and traits. They have a tendency to love music and want to contribute to its creation and at the same time they are lovers of technology and "cool equipment". Along with interest in technology sometimes comes interest in how it works. They have a desire to create a new technology that can provide the finishing touch to a recording when listening/processing/recording etc. An experienced audio engineer in hard daily work operates and builds amplifiers, speakers, microphones, preamplifiers, recorders etc. The Associate Audio Engineer has four areas of responsibility: directing audio technicians and technologists, project management, collaborating with buyers, consulting, and acting as a resource. An associate audio engineer is tasked with the operation of cavity resonator and other equipment for recording music, speech, sound, or any combination of such materials. Working in various film shows, music recordings, theater or gaming industries, a sound engineer is also responsible for the successful implementation of all audio related components for such events even live... middle of paper... .Hnicians from other fields. Their potential to perform well cannot be ignored. Technicians from different streams together create a technology, but the availability of even a technician from a single stream can prevent the technique from being developed. So this is the need of this rapidly advancing generation of the 21st century to understand the importance of every stream of technology because there is no use of incomplete technology. References:1. Neville Fletcher, 2010. The Physics of Musical Instruments. Edition. Springer.2. John M. Eargle, 2002. JBL Audio Engineering for Sound Reinforcement. Edition. JBL Pro Audio Publications.,3. Victor A. Ginsburgh, 2006. Handbook of the Economics of Arts and Culture: 1. 1 edition. North Holland.4. Stewart Ross, 2010. Sports Technology (New Technology). Edition. MMS Gold.5. 2009. Audio Engineering Explained. 1 edition. Focal Print.